Work prompts
Desks, workshops and back rooms — the settings that make a character look like they do something.
Every brief below already carries the lens, the available light and the film treatment. Paste one in as it is, or change the moment and leave the camera alone.
Photo briefs60
Written for stills. Each one opens with the framing, because a photograph has to state where the camera is — nothing moves later to reveal it.
Showing the screen — desk, golden hour
full-body shot, head to feet in frame, full figure visible, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — desk, morning
head-and-shoulders portrait, close framing, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, overcast
full-body shot, head to feet in frame, full figure visible, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — desk, harsh midday
head-and-shoulders portrait, close framing, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, at a desk, laptop and notebook, wearing elegant evening wear, full-length dress or suit, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — desk, blue hour
full-body shot, head to feet in frame, full figure visible, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — desk, neon night
head-and-shoulders portrait, close framing, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, at a desk, laptop and notebook, wearing smart tailoring, blazer and shirt, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — desk, window light
full-body shot, head to feet in frame, full figure visible, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — desk, fluorescent
head-and-shoulders portrait, close framing, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — desk, warm lamp
full-body shot, head to feet in frame, full figure visible, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, rain
head-and-shoulders portrait, close framing, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — gym, golden hour
wide environmental shot, subject small in a large setting, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — gym, morning
waist-up half-body shot, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — gym, overcast
wide environmental shot, subject small in a large setting, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — gym, harsh midday
waist-up half-body shot, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in a gym, equipment and overhead lighting, wearing everyday casual clothes, jeans and a tee, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — gym, blue hour
wide environmental shot, subject small in a large setting, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in a gym, equipment and overhead lighting, wearing modest swimwear at a beach or poolside, tasteful holiday framing, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — gym, neon night
waist-up half-body shot, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, window light
wide environmental shot, subject small in a large setting, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing athletic gym clothing, fitted sportswear, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — gym, fluorescent
waist-up half-body shot, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — gym, warm lamp
wide environmental shot, subject small in a large setting, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — gym, rain
waist-up half-body shot, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — car, golden hour
head-and-shoulders portrait, close framing, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in the passenger seat of a car, seatbelt on, wearing everyday casual clothes, jeans and a tee, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — car, morning
full-body shot, head to feet in frame, full figure visible, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in the passenger seat of a car, seatbelt on, wearing modest swimwear at a beach or poolside, tasteful holiday framing, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — car, overcast
head-and-shoulders portrait, close framing, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in the passenger seat of a car, seatbelt on, wearing cosy loungewear, oversized knit and soft trousers, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — car, harsh midday
full-body shot, head to feet in frame, full figure visible, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in the passenger seat of a car, seatbelt on, wearing athletic gym clothing, fitted sportswear, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — car, blue hour
head-and-shoulders portrait, close framing, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in the passenger seat of a car, seatbelt on, wearing elegant evening wear, full-length dress or suit, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — car, neon night
full-body shot, head to feet in frame, full figure visible, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in the passenger seat of a car, seatbelt on, wearing layered streetwear, oversized fit, sneakers, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — car, window light
head-and-shoulders portrait, close framing, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in the passenger seat of a car, seatbelt on, wearing smart tailoring, blazer and shirt, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — car, fluorescent
full-body shot, head to feet in frame, full figure visible, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in the passenger seat of a car, seatbelt on, wearing everyday casual clothes, jeans and a tee, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — car, warm lamp
head-and-shoulders portrait, close framing, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in the passenger seat of a car, seatbelt on, wearing modest swimwear at a beach or poolside, tasteful holiday framing, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — car, rain
full-body shot, head to feet in frame, full figure visible, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in the passenger seat of a car, seatbelt on, wearing cosy loungewear, oversized knit and soft trousers, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — backstage, golden hour
waist-up half-body shot, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, backstage, mirrors and bulbs and cables, wearing athletic gym clothing, fitted sportswear, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — backstage, morning
wide environmental shot, subject small in a large setting, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, backstage, mirrors and bulbs and cables, wearing elegant evening wear, full-length dress or suit, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — backstage, overcast
waist-up half-body shot, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, backstage, mirrors and bulbs and cables, wearing layered streetwear, oversized fit, sneakers, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — backstage, harsh midday
wide environmental shot, subject small in a large setting, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, backstage, mirrors and bulbs and cables, wearing smart tailoring, blazer and shirt, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — backstage, blue hour
waist-up half-body shot, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, backstage, mirrors and bulbs and cables, wearing everyday casual clothes, jeans and a tee, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — backstage, neon night
wide environmental shot, subject small in a large setting, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, backstage, mirrors and bulbs and cables, wearing modest swimwear at a beach or poolside, tasteful holiday framing, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — backstage, window light
waist-up half-body shot, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, backstage, mirrors and bulbs and cables, wearing cosy loungewear, oversized knit and soft trousers, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — backstage, fluorescent
wide environmental shot, subject small in a large setting, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, backstage, mirrors and bulbs and cables, wearing athletic gym clothing, fitted sportswear, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — backstage, warm lamp
waist-up half-body shot, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, backstage, mirrors and bulbs and cables, wearing elegant evening wear, full-length dress or suit, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — backstage, rain
wide environmental shot, subject small in a large setting, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, backstage, mirrors and bulbs and cables, wearing layered streetwear, oversized fit, sneakers, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — desk, golden hour
waist-up half-body shot, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — desk, morning
full-body shot, head to feet in frame, full figure visible, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — desk, overcast
wide environmental shot, subject small in a large setting, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — desk, harsh midday
head-and-shoulders portrait, close framing, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, at a desk, laptop and notebook, wearing smart tailoring, blazer and shirt, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — desk, blue hour
waist-up half-body shot, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, neon night
full-body shot, head to feet in frame, full figure visible, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing elegant evening wear, full-length dress or suit, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — desk, window light
wide environmental shot, subject small in a large setting, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — desk, fluorescent
head-and-shoulders portrait, close framing, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — desk, warm lamp
waist-up half-body shot, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — desk, rain
full-body shot, head to feet in frame, full figure visible, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — gym, golden hour
wide environmental shot, subject small in a large setting, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in a gym, equipment and overhead lighting, wearing everyday casual clothes, jeans and a tee, golden hour, low warm sun raking across the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — gym, morning
head-and-shoulders portrait, close framing, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, early morning light, cool and soft. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — gym, overcast
waist-up half-body shot, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, flat overcast daylight, no hard shadows. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — gym, harsh midday
full-body shot, head to feet in frame, full figure visible, talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, harsh midday sun, strong shadows and squinting. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — gym, blue hour
wide environmental shot, subject small in a large setting, reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in a gym, equipment and overhead lighting, wearing athletic gym clothing, fitted sportswear, blue hour after sunset, deep even blue light. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — gym, neon night
head-and-shoulders portrait, close framing, leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, at night, neon and shopfront light on the face. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, window light
waist-up half-body shot, sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing modest swimwear at a beach or poolside, tasteful holiday framing, single soft window light from one side. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — gym, fluorescent
full-body shot, head to feet in frame, full figure visible, holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in a gym, equipment and overhead lighting, wearing everyday casual clothes, jeans and a tee, cold overhead fluorescent light, unflattering and honest. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — gym, warm lamp
wide environmental shot, subject small in a large setting, crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, warm lamplight after dark, pools of orange. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — gym, rain
head-and-shoulders portrait, close framing, counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, grey rain light, wet surfaces and reflections. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Video briefs60
Written for clips. Each one carries a camera move instead of a framing: a video brief with no motion in it returns a photograph that happens to last six seconds.
Working it out — desk, pan
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, golden hour, low warm sun raking across the face. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — desk, locked off
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, early morning light, cool and soft. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — desk, orbit
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, flat overcast daylight, no hard shadows. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — desk, follow
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, at a desk, laptop and notebook, wearing smart tailoring, blazer and shirt, harsh midday sun, strong shadows and squinting. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — desk, push in
reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, at a desk, laptop and notebook, wearing elegant evening wear, full-length dress or suit, blue hour after sunset, deep even blue light. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — desk, pull back
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, at night, neon and shopfront light on the face. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — desk, pan
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, single soft window light from one side. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, locked off
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, cold overhead fluorescent light, unflattering and honest. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — desk, orbit
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, warm lamplight after dark, pools of orange. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — desk, follow
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, grey rain light, wet surfaces and reflections. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — gym, locked off
reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, golden hour, low warm sun raking across the face. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — gym, orbit
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, early morning light, cool and soft. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — gym, follow
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, flat overcast daylight, no hard shadows. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — gym, push in
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in a gym, equipment and overhead lighting, wearing everyday casual clothes, jeans and a tee, harsh midday sun, strong shadows and squinting. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — gym, pull back
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, blue hour after sunset, deep even blue light. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — gym, pan
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in a gym, equipment and overhead lighting, wearing athletic gym clothing, fitted sportswear, at night, neon and shopfront light on the face. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, locked off
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing modest swimwear at a beach or poolside, tasteful holiday framing, single soft window light from one side. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — gym, orbit
reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, cold overhead fluorescent light, unflattering and honest. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — gym, follow
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, warm lamplight after dark, pools of orange. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — gym, push in
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, grey rain light, wet surfaces and reflections. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — car, orbit
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in the passenger seat of a car, seatbelt on, wearing everyday casual clothes, jeans and a tee, golden hour, low warm sun raking across the face. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — car, follow
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in the passenger seat of a car, seatbelt on, wearing layered streetwear, oversized fit, sneakers, early morning light, cool and soft. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — car, push in
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in the passenger seat of a car, seatbelt on, wearing athletic gym clothing, fitted sportswear, flat overcast daylight, no hard shadows. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — car, pull back
reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, in the passenger seat of a car, seatbelt on, wearing modest swimwear at a beach or poolside, tasteful holiday framing, harsh midday sun, strong shadows and squinting. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — car, pan
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, in the passenger seat of a car, seatbelt on, wearing smart tailoring, blazer and shirt, blue hour after sunset, deep even blue light. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — car, locked off
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in the passenger seat of a car, seatbelt on, wearing elegant evening wear, full-length dress or suit, at night, neon and shopfront light on the face. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — car, orbit
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, in the passenger seat of a car, seatbelt on, wearing cosy loungewear, oversized knit and soft trousers, single soft window light from one side. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — car, follow
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, in the passenger seat of a car, seatbelt on, wearing everyday casual clothes, jeans and a tee, cold overhead fluorescent light, unflattering and honest. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — car, push in
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, in the passenger seat of a car, seatbelt on, wearing layered streetwear, oversized fit, sneakers, warm lamplight after dark, pools of orange. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — car, pull back
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in the passenger seat of a car, seatbelt on, wearing athletic gym clothing, fitted sportswear, grey rain light, wet surfaces and reflections. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — backstage, follow
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, backstage, mirrors and bulbs and cables, wearing modest swimwear at a beach or poolside, tasteful holiday framing, golden hour, low warm sun raking across the face. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — backstage, push in
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, backstage, mirrors and bulbs and cables, wearing smart tailoring, blazer and shirt, early morning light, cool and soft. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — backstage, pull back
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, backstage, mirrors and bulbs and cables, wearing elegant evening wear, full-length dress or suit, flat overcast daylight, no hard shadows. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Mid-explanation — backstage, pan
talking straight to camera mid-sentence, one hand raised making a point, eye contact held, caught between words rather than posed, backstage, mirrors and bulbs and cables, wearing cosy loungewear, oversized knit and soft trousers, harsh midday sun, strong shadows and squinting. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Hands busy — backstage, locked off
crouched down working on something with both hands, sleeves pushed up, concentrating on the task and not on the camera, backstage, mirrors and bulbs and cables, wearing everyday casual clothes, jeans and a tee, blue hour after sunset, deep even blue light. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — backstage, orbit
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, backstage, mirrors and bulbs and cables, wearing layered streetwear, oversized fit, sneakers, at night, neon and shopfront light on the face. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Caught laughing — backstage, follow
reacting to something just off camera, eyebrows up, caught mid-laugh, unguarded and genuinely amused, backstage, mirrors and bulbs and cables, wearing athletic gym clothing, fitted sportswear, single soft window light from one side. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Making a list — backstage, push in
counting points off on their fingers while talking to camera, mid-list, leaning slightly in, backstage, mirrors and bulbs and cables, wearing modest swimwear at a beach or poolside, tasteful holiday framing, cold overhead fluorescent light, unflattering and honest. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — backstage, pull back
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, backstage, mirrors and bulbs and cables, wearing smart tailoring, blazer and shirt, warm lamplight after dark, pools of orange. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — backstage, pan
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, backstage, mirrors and bulbs and cables, wearing elegant evening wear, full-length dress or suit, grey rain light, wet surfaces and reflections. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, pull back
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, golden hour, low warm sun raking across the face. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, pan
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, early morning light, cool and soft. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, locked off
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, flat overcast daylight, no hard shadows. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, orbit
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing athletic gym clothing, fitted sportswear, harsh midday sun, strong shadows and squinting. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, follow
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing modest swimwear at a beach or poolside, tasteful holiday framing, blue hour after sunset, deep even blue light. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, push in
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing smart tailoring, blazer and shirt, at night, neon and shopfront light on the face. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, pull back
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing elegant evening wear, full-length dress or suit, single soft window light from one side. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, pan
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing cosy loungewear, oversized knit and soft trousers, cold overhead fluorescent light, unflattering and honest. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, locked off
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing everyday casual clothes, jeans and a tee, warm lamplight after dark, pools of orange. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Working it out — desk, orbit
leaning over a table writing in a notebook, pen in hand, mid-thought, a coffee going cold beside it, at a desk, laptop and notebook, wearing layered streetwear, oversized fit, sneakers, grey rain light, wet surfaces and reflections. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, locked off
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, golden hour, low warm sun raking across the face. locked-off static frame, only the subject and the background move. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, orbit
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, early morning light, cool and soft. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, follow
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, flat overcast daylight, no hard shadows. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, push in
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing everyday casual clothes, jeans and a tee, harsh midday sun, strong shadows and squinting. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, pull back
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing layered streetwear, oversized fit, sneakers, blue hour after sunset, deep even blue light. slow pull back revealing more of the space around them, steady handheld. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, pan
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing athletic gym clothing, fitted sportswear, at night, neon and shopfront light on the face. gentle pan following the subject, keeping them off-centre in frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, orbit
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing smart tailoring, blazer and shirt, cold overhead fluorescent light, unflattering and honest. slow arc around the subject, parallax pulling the background across frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, follow
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing elegant evening wear, full-length dress or suit, warm lamplight after dark, pools of orange. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Sorting through — gym, push in
sitting on the floor sorting through a pile of things, one item held up to the light, deciding, in a gym, equipment and overhead lighting, wearing cosy loungewear, oversized knit and soft trousers, grey rain light, wet surfaces and reflections. slow push in towards the subject, handheld, slight natural sway. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Showing the screen — car, follow
holding a phone up towards the camera to show what is on the screen, head tilted towards it, mid-explanation, in the passenger seat of a car, seatbelt on, wearing athletic gym clothing, fitted sportswear, golden hour, low warm sun raking across the face. camera walking with them at their pace, footsteps felt in the frame. natural handheld motion, real-time pacing, ambient sound. shot on a 35mm lens at f/2, natural available light, visible skin texture and pores, slight film grain, candid unposed moment, not retouched, no beauty filter
Another 39 work briefs are built into the app, and the Surprise me button writes a fresh one every time you press it.
Generate one of these